“The good thing about working for big studios was that you got classy, quality support. Even if you asked for the moon, they could get the moon for you, which was amazing.”
~ Shaw Brothers Studios director Chor Yuen
Someone recently asked me why I called my book Ask for the Moon.
Ask for the Moon is part film criticism, part history, part musings on the nature of innovation. It describes a daring adventure in filmmaking, both creatively and in terms of business and production models. Entrepreneurialism, as demonstrated with such flair by producers Run Run and Runme Shaw, and martial arts movie making, as demonstrated with equal flair by the likes of filmmakers like Lau Kar Leung and Chor Yuen and others, might seem like odd bedfellows, but at Shaw Brothers these two seemingly disparate things came together in a venture that saw benchmarking films massed produced. This venture was a success – Shaws films are vastly entertaining and have left a rich legacy in terms of filmmaking and social history in Hong Kong. As a business, the studio was equally successful: Shaws dominated their industry both as producers and distributors for more than two decades and made money hand over fist.
Shaw Brothers Studios constituted a daring experiment in filmmaking, and an experiment that worked. One clever thing that Run Run Shaw did when developing the Studios was to pool good resources so that they were handy to support his filmmakers; as the above quote from Chor Yuen points out the resources he and his fellow filmmakers could draw on were “amazing”.
I am not good at titles, and actually only came up with the title for this book shortly before we started typesetting it. Illustrator and typesetter Rebecca Stewart had to keep reminding me that we needed one!
In the end I am really happy with this title. While it does allude to that amazing level of resourcing that Shaws were able to provide, I think it also captures the aspirational nature of what was being undertaken at Shaw Brothers Studios, by entrepreneurs and filmmakers alike. Shaws films are exercises in confident filmmaking and unmistakeable in aesthetic – they are bold, imaginative, dynamic affairs. Mind you, there was a downside for creative people who were working under Run Run Shaw’s tight and all-seeing direction at his studios, and I discuss this in the book as well. But the aspirations to make great entertainment were always there, and I’m glad I thought of a title that could pay tribute to that.